Dr. Mireille Sandoz
FOUNDER / OPTICAL PHYSICISTBuilt NACRE's first interference stack on borrowed vacuum equipment; still signs off every peak-wavelength certificate.
Founded on a single, testable claim: color is geometry.
NACRE was established to industrialize a phenomenon that nature settled long before us. The blue of a Morpho wing, the shift across an abalone shell, the fleeting spectrum of a soap film — none of these contain pigment. Their color is the product of thin-film interference: light reflecting off stacked layers a few hundred nanometers thick, certain wavelengths reinforced, others cancelled. We build those layers on purpose, to tolerance.
Our founding thesis is that a hue specified as a film thickness is more durable, more precise, and more honest than a hue mixed from dye. Pigment fades because molecules degrade. Structure does not. We hold deposition tolerances under five nanometers and certify every batch against a measured peak wavelength, not a swatch. The work sits between optics and craft, and we treat both with the same discipline.
Five stages, each measured before it advances.
Dielectric layers are grown atom by atom under vacuum, each film tuned to a target thickness in nanometers.
Layer stacks are modeled against Fresnel equations so the reinforced wavelength lands exactly on the specified hue.
The optical stack is fused to its carrier — glass, polymer, or anodized metal — without adhesives that scatter light.
A spectrophotometer reads peak wavelength, bandwidth, and angular shift across the full visible range.
Each specimen is certified against its measured wavelength, logged, and assigned an identity before release.
Each member is recorded the way we record matter — by property and provenance.
Built NACRE's first interference stack on borrowed vacuum equipment; still signs off every peak-wavelength certificate.
Holds the house tolerance under five nanometers; treats a chamber pressure curve the way a printer treats ink.
Reads spectra the way others read faces; trusts the spectrophotometer over the eye, always.
Bonds optical stacks to glass and metal so the color survives heat, flexion, and a decade of light.